{"id":18,"date":"2010-06-26T16:43:56","date_gmt":"2010-06-26T22:43:56","guid":{"rendered":"http:\/\/www.caitlinhicks.com\/wordpress\/?page_id=18"},"modified":"2010-07-05T19:39:32","modified_gmt":"2010-07-06T01:39:32","slug":"theatre","status":"publish","type":"page","link":"https:\/\/caitlinhicks.com\/wordpress\/theatre\/","title":{"rendered":"Theatre"},"content":{"rendered":"

My work in theatre, television and film in San Francisco, New York, Toronto and Vancouver has included roles as diverse as Nina in The Seagull<\/em><\/strong>, Gwendolyn in the musical of Oscar Wilde\u2019s The Importance of Being Earnest<\/em><\/strong>, Gammer Gurton in the oldest English comedy, Gammer Gurton\u2019s Needle<\/em><\/strong>, Nancy Reagan in an off-Broadway political satire A Bonzo Christmas Carol<\/em><\/strong>. In Toronto, I played Sylvia Plath in the Canadian Premiere of Letters Home<\/em><\/strong>, Fefu in Maria Irene Fornes\u2019 Fefu & her Friends<\/em><\/strong>. On the Sunshine Coast, I have performed at the Gibsons Heritage Playhouse and venues from Pender Harbor to Grantham’s Landing.<\/p>\n

In film and television, credits range from a Stephen King movie of the week, It<\/em><\/strong>, to guest starring with Mickey Rooney in the Vancouver-based tv series The Black Stallion<\/em><\/strong>. I played three starring roles in the feature-length motion picture Singing the Bones<\/em><\/strong>, which premiered at the Montreal World Film Festival, and has screened in Australia, New Zealand, the U.K., the United States and Canada. Radio credits include \"\"Stories <\/em>for a Winter Solstice <\/em>on CBC\u2019s Morningside (1996), Almanac (\u201894 & \u201895, The Afternoon Show (\u201894) and A Woman\u2019s Body<\/em> and One of Those Days<\/em><\/strong>,Commentary (\u201895).<\/p>\n

I have toured my own work as a playwright to hundreds of cities in five countries, playing Annie Shea in Six Palm Trees,<\/em><\/strong> Dorothy and Karen in Just a Little Fever<\/em><\/strong>, Sara, Meg and Nicole in Singing the Bones<\/em><\/strong>. My work as an actress\/playwright has been seen at the Edmonton and Vancouver Fringe<\/em><\/strong>, the Women In View Festival<\/em><\/strong>, at Sechelt\u2019s Raven\u2019s Cry Theatre and Gibson\u2019s Heritage Playhouse. I have performed at the National Arts Center Atelier<\/em><\/strong> in Ottawa and the Festival des Ameriques Cabaret<\/em><\/strong> in Montreal.<\/p>\n

P U B L I S H E D<\/strong><\/p>\n

Playwrights Union of Canada (1998) Toronto, Ontario:\u00a0Singing the Bones<\/strong><\/em><\/p>\n

<\/em><\/p>\n

International Reader\u2019s Theatre (1998) Winnipeg, Manitoba:\u00a0Six Palm Trees <\/strong><\/em>and <\/strong>Just a Little Fever<\/strong><\/em><\/p>\n

\"\"<\/a>
\n<\/strong><\/em><\/p>\n

Playwrights Canada Press (2004) Toronto,\u00a0She Speaks <\/em>One monologue from J<\/strong>ust\u00a0 A Little Fever<\/strong><\/em><\/p>\n

Smith & Kraus (2000) New York,\u00a0The Best Women\u2019s Stage Monologues of 2000: <\/em>Four monologues from Just a Little Fever<\/strong><\/em><\/p>\n

<\/em><\/p>\n

Smith & Kraus (1998) New York,\u00a0The Best Women\u2019s Stage Monologues of 1997: <\/em>Two monologues from Singing the Bone<\/strong><\/em>s<\/strong><\/em><\/p>\n


\n<\/em><\/div>\n
R A D I O <\/strong><\/div>\n
CBC: Morningside (1996), National Broadcast, Canada: Cornucopia (from Stories for a Winter Solstice)<\/strong><\/em><\/em><\/div>\n
CBC: Almanac(1994 & 1995), Regional Broadcast, British Columbia: Read Island Santa Claus, My First Christmas with Rachel, Cornucopia, Christmas Monster of Ripple Rock (from Stories for a Winter Solstice)<\/strong><\/div>\n
<\/p>\n


\n<\/strong><\/p>\n

<\/em><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

My work in theatre, television and film in San Francisco, New York, Toronto and Vancouver has included roles as diverse as Nina in The Seagull, Gwendolyn in the musical of Oscar Wilde\u2019s The Importance of Being Earnest, Gammer Gurton in the oldest English comedy, Gammer Gurton\u2019s Needle, Nancy Reagan in an off-Broadway political satire A […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-18","page","type-page","status-publish","hentry","category-fiction"],"_links":{"self":[{"href":"https:\/\/caitlinhicks.com\/wordpress\/wp-json\/wp\/v2\/pages\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/caitlinhicks.com\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/caitlinhicks.com\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/caitlinhicks.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/caitlinhicks.com\/wordpress\/wp-json\/wp\/v2\/comments?post=18"}],"version-history":[{"count":8,"href":"https:\/\/caitlinhicks.com\/wordpress\/wp-json\/wp\/v2\/pages\/18\/revisions"}],"predecessor-version":[{"id":78,"href":"https:\/\/caitlinhicks.com\/wordpress\/wp-json\/wp\/v2\/pages\/18\/revisions\/78"}],"wp:attachment":[{"href":"https:\/\/caitlinhicks.com\/wordpress\/wp-json\/wp\/v2\/media?parent=18"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/caitlinhicks.com\/wordpress\/wp-json\/wp\/v2\/categories?post=18"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/caitlinhicks.com\/wordpress\/wp-json\/wp\/v2\/tags?post=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}